WE-AM San Francisco, California
drones, hisses, shrieks, howls, hums, groans, skips, bangs, clangs, crashes, splashes,
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Noise maestro Stromboli creates haunting industrial atmospheres with a visceral feel.
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You’d expect an album titled “Velociraptor” to be heavy and this doesn’t disappoint, as it’s jam-packed with serrated noise & feedback.
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Gaël Segalen’s stunning and apocalyptic dark ambient music feels like 3 a.m. at an abandoned warehouse, full of shadows and menace.
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Prickly avant-jazz and math-rock obstinance make for dazzlingly complex songs on the latest from Sam Ospovat.
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Mouth Full of Glass (2022)
by Macie Stewart
Contemplative indie folk with crystalline melodies given a lift by guests like Ben Lamar Gay and Sen Morimoto.
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Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time.
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